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I find a 2-3 db reduction on a buss works nicely, depending of course on the music. At this point you may want to use the THRESHOLD control for more compression if that is your thing. (Other than distortion if you turn the input up!)įollowing this workflow, you should have a subtle saturation/compression and it works nicely as the first input in a channel or buss. This control will probably give you the most obvious audible changes.
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If you have a “harsh” signal, the Warmth setting is great for taming it, just choose a higher setting. (For instance, if the lights go on at 6, turn it back to 5.) A 6 or 7 setting on this can really lower your high end, so listen carefully. This is softening only the top peak levels.Ĭlick the Warmth button until you start to get any response at all on the Warmth meter, then select the next lowest setting. On the loudest part it may go solid, but try to keep “2” or any other lights from flashing. Now turn the THRESHOLD up until the COMP is barely flashing the “1”. EL calls this “clarity”, but to me it just sounds like a slight increase in loudness. If you push this you may notice a gain in the low mid-range. This is going to add some harmonics to the low end.
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As your signal passes through the Fatso adjust the TRANNY level up until the LF Sat light just starts to barely blink. (We are not going to be doing much compression, but after we walk through things go for it!) There are only slight differences in their initial settings-the channel input is slightly hotter than the buss, and the compression settings differ. The CHANNEL preset is for individual channels. The BUSS preset is for the mix buss, or any other busses. These two presets are using the Fatso to mimic a channel/bus on a console. Some of the settings are to add analogue vibe and coloration, and don’t need tweaks during mixing, so other than on the mix buss most of them work well for tracking. I personally like to use them when I record if possible, and then I don’t need to have a bunch of plugins active when I mix. Important tip: These presets are for some of UA’s most processor intensive plugins. Keep it reasonably close to that for the presets to give you the optimum (and expected) performance. Important tip: Penny presets are calibrated for an input signal level of -18dbfs RMS. I hope you enjoy and they help you make even better music!
UAD PLUGINS MANUAL FREE
As always, feel free to experiment, the instructions are based on my own workflow and “ear”. They can be used as starting points for your own mix, or as a way of learning more about each plugin. Join me next time for DAW Meter’s Demystified.These presets for UAD plugins come with helpful explanations and instructions.
UAD PLUGINS MANUAL MANUAL
I guess the moral of the story here is if you want to know the exact sweet spot for a particular plugin the manual is your friend although with 32-bit Floating Point DAWs this is becoming less of an issue! Though when in doubt…around -18dBFS (RMS) is a safe bet.